Skip to main content

Posts

Featured

New Yorker Fiction Review #311: "Hi Daddy" by Matthew Klam

Review of the short story from the Oct. 14, 2024 issue of The New Yorker... Normally I don't love "domestic" stories that take place all within the context of some character's otherwise unremarkable -- usually white, suburban, and upper middle class, for some reason -- family life or day to day life. I do not deny that domestic life can be filled with drama, struggle, conflict, and all the highs and lows of the human experience. I just feel as though its too easy to look around you and try to make fiction out of what you see. I do realize there is a word for this: autofiction.  I partly blame it on Ernest Hemingway's perhaps most famous (and in many ways poisonous) piece of writing advice: "Write what you know." Hemingway and others of his time are also famous for writing stories -- and most importantly, having success writing stories -- about his himself and his friends sitting around drinking and talking, seemingly giving every subsequent generation o...

Latest Posts

Is Bad Monkey any good?

Ripley vs. The Talented Mr. Ripley

New Yorker Fiction Review #310: "Thataway" by Thomas McGuane

New Yorker Fiction Review #309: "Consolation" by Andre Alexis

New Yorker Fiction Review #308: "We're Not So Different, You and I" by Simon Rich

Movie Review: Love Lies Bleeding (2024)

New Yorker Fiction Review #307: "Neighbors" by Zach Williams

New Yorker Fiction Review #306: "Hostel" by Fiona McFarlane

New Yorker Fiction Review #305: "Crown Heights North" by Rivka Galchen

Movie Review: American Fiction (2023)